Press
Listening to country:‘Fractures & Frequencies’ and ‘Infractions’.
Arwen Crawford. The Monthly. March 2021.
NGV rises to the challenge with beautiful, thoughtful Triennial exhibition.
Robert Nelson. Brisbane Times. Dec 18 2020.
Major proppaNOW exhibition opening at UQ Art Museum in 2021.
Sonia Uranishi. University of Queensland, Australia. Nov 27 2020.
Indigenous artists at NGV Triennial to celebrate Country and question colonial legacies.
Rachael Knowles. National Indigenous Times. October 8 2020
It's alive! Revisiting the monsters and defiant spirit of the 2020 Adelaide Biennial.
John Neylon. The Adelaide Review. June 3 2020.
Pure imagination: creatives in isolation capture moments from home.
Alison Veness. VOGUE Australia. May 22 2020.
Artist Voice: Karla Dickens and Megan Cope.
Museum of Contemporary Art Australia. April 2020.
Climate inaction is the greatest monster in the biennale closet.
Gina Fairley. Arts Hub. Feb 12 2020.
Megan Cope’s ‘RE FORMATION’ takes the oyster shell as it’s subject.
Ellie Buttrose. QAGOMA Blog. Jan 8 2020.
Water exhibition in Brisbane proves a wellspring of ideas for positive action against climate change.
Dee Jefferson. ABC Arts. Dec 30 2019.
How a peaceful Aboriginal artist got on with the Australian forces in the Middle East.
Steve Evans. The Canberra Times. July 22 2019.
Upside down/right way up: Historiography of contemporary ‘Australian’ art.
Helen Hughes. Upside down/right way up: Historiography of contemporary ‘Australian’ art. Essay. The National New Australian Art. 2017.