Untitled (Old Kahibah) 2018

Maps on vinyl, sound extraction and abstraction, sourced rocks and hollowed timber; violin, cello and bass strings.

Dimensions variable.

Photograph by Zan Wimberley of installation is Megan Cope: Fractures and Frequencies at UNSW Gallery.

Courtesy of the artist and Milani Gallery, Brisbane

Untitled (Old Kahibah)


Untitled (Old Kahibah)
is an interactive sound sculpture responding to the lands of the Awabakal people, it maps both country and sound vibrations. This is a place of significant alteration and extraction, geological movements and extensive industrial histories.

In this work the artist combines timber and rocks from Awabakal country together with metal strings to enable the elements of country to sing its story of change upon colonisation. Aboriginal artists and performers are invited to activate and create a passage of sound for Old Kahibah, mapping both country and stories responding to this landscape.


EXHIBITION HISTORY:

2021 Megan Cope: Fractures and Frequencies; UNSW Galleries; 16 January - 17 April 2021
Presented in association with Sydney Festival.

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